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I wasn ' t going to spend too much, just in case it was unlistenable. Almost in a n act of re membrance of CRISIS I acquired a copy of "The Guilty Have No Pride" cheaply in the bargain basement at Record and Tape Exchange, London. But, after he sent me a live recording of CRISIS' final concert my scepticism was washed away. This I didn ' t know and doubted somewhat. In early '86 Graham (who had a CRISIS badge I was so jealous ot) recommended that I should get the "The Guilty Have No Pride" mini LP by a band called DEATH IN JUNE and check out the track ' All Alone In Her Nirvana' because it was an old CRISIS song. At first, I didn' t know he also had a passion for CRISIS but as the time went by I soon became aware of it and I expressed in return how much CRISIS meant to me. In that year I first made contact with Graham and our friendship grew. 1985 went by, I became bored, restless, desperate, in need of something different, what, I didn't know. 1984 had brought the break up of the band CRASS who I had admired and been influenced by to some extent, and the almost overnight demise of the whole anarcho-punk scene. Tum the clock forward to early '86 which found me really at a loose end musically and mentally. Our paths were not to cross again for 5 years. I became hooked on it and Death in June, who I never remember hearing on Pee lie, was passed over in favour of Theatre of Hate. I had heard previous ly ofTheatre of Hate on the then daily John Peel Show, with their excellent debut 7" "Legion/Original Sin" which I promptly bought. It stated that two former members, namely Douglas Pearce and Tony Wakeford, were now in Death In June, while another former member, Luke Rendall, was now in Theatre of Hate. TO THE DEATH'S HEAD TRUE The first time I ever heard of Death in June was on reading.the insert that came with the posthumously released CRISIS "Alienation" 7". I CAN BE CONT ACTED AT: 5 MARYGOLD WALK LITrLE CHALFONT AM ERSHAM BUCK S DEAHI IN JUNE CAN BE CONTACT ED AT: BMJUNE LONDON WC I N 3XX Also, I've deliberately chosen to list the sources, besides being good publicity for fanzines still up and running, it makes it easier if you wish to cross reference anything. All this is for DEE NOTE: Attention has been brought to me that some French and American interviews with DEATH IN JUNE are total fabrications, so bear this in mind as you read through. Not forgetting Sean of course, my brother. My thanks also go out to the following:- Stewart Home- particularly his help in the preparation of chapter eight, David Tiffen - for everything, Art Mark, RUdiger Freund, Markus Lion, Derek B Richards, Lawrence Burton, Gibby, Alan and Alison at World Serpent, Tony Dickie, Mick Fish, Jean-Louis Vaxelaire, Henri Fenet and Eugene Vaulot, Alan Lawrie, Graham, Steve, Simon Moon, Squash, ian Oxley, Belinda Hicks and Heather Simmonds. for the very kind assistance he gave me in the final realisation of this book and for all the photographs he allowed me the use of. I must also extend my thanks to Douglas P. I must also thank Mark for everything and for being so patient as my self-imposed deadlines passed all too quickly with no sign of it. Loosely based aound my previous articles on DEATH IN JUNE that appeared in fanzines FRACTURED and IMPULSE, the final product would not have been so interesting nor anywhere as 'complete' if it wasn't for two friends Jeremy Cantwell and Andreas George who helped me out so much in its preparation.
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eight months, but now it's finally completed. Eight months of disappointments, hassles, re-writes, setbacks, spelling mistakes, headaches. Starting one sunny, spring bank holiday I finally finished it one cold, dark December day, spending eight months of my life on it. thought he'd never finish, this book was one I thought I'd never finish. INTRODUCTION If "But, What Ends When The Symbols Shatter?" was the LP Douglas P. ISBN 0 9525562 0 0 Printed in Great Britain by Redwood Books, Trowbridge, Wiltshire No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, photocopying, recording or otherwise, without the prior permission of the publisher/copyright owner. Text copyright (C)J995 Robert Forbes Lyrics copyright the individual artists Photographs copyright as per creditsĪll rights reserved. Misery and Purity A History and Personal Interpretation of Death In Juneįirst Published May 199 5 by Jara Press 41 Quarrendon Road Amersham Bucks HP7 9EF Telephone: (01494) 432927 Fax:(01494)721790 a nd Purity A history and personal interpretation of Death In June